MICHAEL WHELAN

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theartofmichaelwhelan:
“ TERMINUS (2007) by Michael Whelan  Acrylic on Canvas - 36” X 48”
Growing up in the fifties and sixties most of us fully expected the progress so evident in society and the space sciences to continue at the same headlong pace...
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theartofmichaelwhelan:

TERMINUS (2007) by Michael Whelan

Acrylic on Canvas - 36” X 48”

Growing up in the fifties and sixties most of us fully expected the progress so evident in society and the space sciences to continue at the same headlong pace they had shown during those years. As a young boy I never imagined that by the new millennium we would not even have a base on the moon yet!

This painting references the space program, specifically the manned missions to the moon and beyond. Clues abound, all related to what Laurie Anderson has termed the “Post-Lunar Period.” The moon missions ended with Apollo 17, so orange signs go from the near disastrous mission #13 (the sign is bent and askew) to the final one #17. That seventeenth mission left on December 14th, 1972 when I was 22. The figure is an oblique reference to myself as a child, trying to peer into a wondrous yet mostly indiscernible future.

Source: michaelwhelan.com

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theartofmichaelwhelan:
“ARKADY by Michael Whelan, cover for Isaac Asimov’s Second Foundation
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theartofmichaelwhelan:

ARKADY by Michael Whelan, cover for Isaac Asimov’s Second Foundation

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    • #Michael Whelan
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    • #Isaac Asimov
    • #Foundation
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theartofmichaelwhelan:

COUNTERPOINT (2015) by Michael Whelan

Acrylic on Cradled Canvas Panel - 6" x 6"

Source: michaelwhelan.com

    • #Michael Whelan
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theartofmichaelwhelan:
“ADVENTURES OF LITTLE FUZZY (1983) by Michael Whelan, cover for the book by H. Beam Piper
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theartofmichaelwhelan:

ADVENTURES OF LITTLE FUZZY (1983) by Michael Whelan, cover for the book by H. Beam Piper

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    • #Michael Whelan
    • #science fiction
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    • #H. Beam Piper
    • #Fuzzies
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theartofmichaelwhelan:
“ GRAVITY (2002) by Michael Whelan
Acrylic on Canvas - 43” x 35”
Once when I was being sedated for surgery and I was counting backwards, “99, 98, …” I felt this surge of irresistible calm sweep over me like a vast tide of...
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theartofmichaelwhelan:

GRAVITY (2002) by Michael Whelan

Acrylic on Canvas - 43” x 35”

Once when I was being sedated for surgery and I was counting backwards, “99, 98, …” I felt this surge of irresistible calm sweep over me like a vast tide of night. While I floated away I felt myself become totally, completely relaxed. I realized in an instant that I had been unknowingly living my life in a state of being clenched. It was a blessed relief to feel all the tension completely give way to ultimate relaxation—maybe for the first time in my adult life.

In the days and weeks of recovery and rehabilitation that followed and the exigencies of getting back to work, I forgot that brief flash of self-awareness, but fortunately the memory returned one night just as I was falling asleep. With the awareness came this metaphor for the experience.

Source: michaelwhelan.com

    • #Michael Whelan
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theartofmichaelwhelan:
“GOLDEN DREAM (1982) by Michael Whelan, cover for the book by Ardath Mayhar.
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theartofmichaelwhelan:

GOLDEN DREAM (1982) by Michael Whelan, cover for the book by Ardath Mayhar.

Source: michaelwhelan.com

    • #Michael Whelan
    • #science fiction
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    • #H. Beam Piper
    • #Ardath Mayhar
    • #Fuzzies
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theartofmichaelwhelan:
“ WINDOW TO THE SUN (2006) by Michael Whelan
Acrylic on Watercolor Board - 13” x 11”
Since my most recent resolution to devote all my time to my gallery work I’ve been obsessed with painting these passageways. It doesn’t take a...
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theartofmichaelwhelan:

WINDOW TO THE SUN (2006) by Michael Whelan

Acrylic on Watercolor Board - 13” x 11”

Since my most recent resolution to devote all my time to my gallery work I’ve been obsessed with painting these passageways. It doesn’t take a Sigmund Freud to figure out why. The career transition I seek to make is a prospect both compelling yet unnerving, so my dreams are filled with these iconic representations of my ambivalences. Most seem to be subjective derivations of experiences in previous years, exploring ruins of castles and abbeys in the UK.

In the case of this particular example, I have placed the symbol of my soul consciousness or desires on the other side, waiting for fulfillment. Waiting for me to come into the full light. I’m sending messages to myself here…. I think.

Source: michaelwhelan.com

    • #Michael Whelan
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theartofmichaelwhelan:
“DRAGONSBANE (1985) by Michael Whelan, cover for the book by Barbara Hambly.
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theartofmichaelwhelan:

DRAGONSBANE (1985) by Michael Whelan, cover for the book by Barbara Hambly.

    • #Michael Whelan
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    • #Barbara Hambly
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theartofmichaelwhelan:
“ SENTINELS (1988) by Michael Whelan
Acrylic on Canvas
After more than a decade of continuous illustration work, SENTINELS was Michael Whelan’s first non-commissioned painting and it’s still a favorite with fans. Who can resist...
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theartofmichaelwhelan:

SENTINELS (1988) by Michael Whelan

Acrylic on Canvas

After more than a decade of continuous illustration work, SENTINELS was Michael Whelan’s first non-commissioned painting and it’s still a favorite with fans. Who can resist imagining a peaceful world where children are enjoying nature and the symbols of war are falling into ruin?

Source: michaelwhelan.com

    • #Michael Whelan
    • #personal visions
    • #imaginative realism
    • #art
    • #artists on tumblr
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theartofmichaelwhelan:
“ SANTIAGO by Michael Whelan, cover for the book by Mike Resnick.
”
SANTIAGO (1985) by Michael Whelan, cover for the book by Mike Resnick.
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theartofmichaelwhelan:

SANTIAGO by Michael Whelan, cover for the book by Mike Resnick.

SANTIAGO (1985) by Michael Whelan, cover for the book by Mike Resnick.

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Source: michaelwhelan.com

    • #Michael Whelan
    • #science fiction
    • #illustration
    • #Mike Resnick
    • #art
    • #artists on tumblr
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Fine artist of Imaginative Realism and illustrator of science fiction and fantasy. Winner of 15 Hugo Awards (SF's Oscar). Inducted into the Science Fiction Hall of Fame in 2009.

Michael Whelan.com


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