RETURN TO MELNIBONE (2017) by Michael Whelan, the 10th installment in his 2017 LEFTOVERS & PALETTE GREMLINS gallery project. Both a leftover AND a palette gremlin—the purest combination that I’ve done so far. With oils left on my palette, I painted...
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RETURN TO MELNIBONE (2017) by Michael Whelan, the 10th installment in his 2017 LEFTOVERS & PALETTE GREMLINS gallery project.

Both a leftover AND a palette gremlin—the purest combination that I’ve done so far. With oils left on my palette, I painted over shapes on an old illustration board. As soon as I started to lay the color on it, I was thinking of the ruins of Melnibone.

Source: michaelwhelan.com

EYES OF THE WHITE WOLF (2016) by Michael Whelan, Week 49 in his LEFTOVERS & PALETTE GREMLINS gallery project.

On impulse I grabbed a scrap of canvas that had been trimmed off one of our prints. Using leftover paint I had mixed for the Tad Williams’ cover I just completed for DAW, I painted in a portrait of Elric.

Source: michaelwhelan.com

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