URISH’S BANE (1976) by Michael Whelan, cover for The Vanishing Tower by Michael Moorcock.
Source: michaelwhelan.com
URISH’S BANE (1976) by Michael Whelan, cover for The Vanishing Tower by Michael Moorcock.
Source: michaelwhelan.com
THE WHITE WOLF (1977) by Michael Whelan, cover for The Weird of the White Wolf by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
Some of the inspired work Michael Whelan has done when revisiting the world of Elric.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
Anyone else excited about the prospect of a quality Elric adaption?
URISH’S BANE (1976) by Michael Whelan, cover for The Vanishing Tower by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
THE WHITE WOLF (1977) by Michael Whelan, cover for The Weird of the White Wolf by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
Some of the inspired work Michael Whelan has done when revisiting the world of Elric.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
The second installment in his 2019 LEFTOVERS & PALETTE GREMLINS gallery project
When I tossed out the old container of paints used to do the cover painting for “Words of Radiance”, it landed upside down in my wastebasket on a piece of paperboard I had been using as a palette for something else. The smears of color later caught my eye and motivated me to fish the board out. Intrigued by the possibilities, I saved it to make into this little painting.
BLACK PRINCE a preliminary Elric concept by Michael Whelan
(via theartofmichaelwhelan)
Source: michaelwhelan.com
The eighth installment in his 2018 LEFTOVERS & PALETTE GREMLINS gallery project
I had a quantity of the pigment left on my palette while working on an HP Lovecraft painting in Payne’s Grey and white, so I fished a canvas scrap out of the wastebasket in our print room and sketched this scene. Painted mostly this past Spring then finished off yesterday.
Source: michaelwhelan.com
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