URISH’S BANE (1976) by Michael Whelan, cover for The Vanishing Tower by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
THE WHITE WOLF (1977) by Michael Whelan, cover for The Weird of the White Wolf by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
Some of the inspired work Michael Whelan has done when revisiting the world of Elric.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
BLACK PRINCE a preliminary Elric concept by Michael Whelan
(via theartofmichaelwhelan)
Source: michaelwhelan.com
ELRIC DEMONSLAYER (1980) by Michael Whelan, cover for The Vanishing Tower by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
URISH’S BANE (1976) by Michael Whelan, cover for The Vanishing Tower by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
THE WHITE WOLF (1977) by Michael Whelan, cover for The Weird of the White Wolf by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
Some of the inspired work Michael Whelan has done when revisiting the world of Elric.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
BLACK PRINCE a preliminary Elric concept by Michael Whelan
(via theartofmichaelwhelan)
Source: michaelwhelan.com
EYES OF THE WHITE WOLF (2016) by Michael Whelan, Week 49 in his LEFTOVERS & PALETTE GREMLINS gallery project.
On impulse I grabbed a scrap of canvas that had been trimmed off one of our prints. Using leftover paint I had mixed for the Tad Williams’ cover I just completed for DAW, I painted in a portrait of Elric.
Source: michaelwhelan.com
