URISH’S BANE (1976) by Michael Whelan, cover for The Vanishing Tower by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
ALEX (1977) by Michael Whelan cover for Dying for Tomorrow by Michael Moorcock
(via theartofmichaelwhelan)
Source: michaelwhelan.com
THE WHITE WOLF (1977) by Michael Whelan, cover for The Weird of the White Wolf by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
Some of the inspired work Michael Whelan has done when revisiting the world of Elric.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
ELRIC AT THE FORGE OF FOREVER by Michael Whelan
The second installment in his 2019 LEFTOVERS & PALETTE GREMLINS gallery project
When I tossed out the old container of paints used to do the cover painting for “Words of Radiance”, it landed upside down in my wastebasket on a piece of paperboard I had been using as a palette for something else. The smears of color later caught my eye and motivated me to fish the board out. Intrigued by the possibilities, I saved it to make into this little painting.
BLACK PRINCE a preliminary Elric concept by Michael Whelan
(via theartofmichaelwhelan)
Source: michaelwhelan.com
ALEX (1977) by Michael Whelan cover for Dying for Tomorrow by Michael Moorcock
(via theartofmichaelwhelan)
Source: michaelwhelan.com
ELRIC & THE COLD DRAKE (2018) by Michael Whelan
The eighth installment in his 2018 LEFTOVERS & PALETTE GREMLINS gallery project
I had a quantity of the pigment left on my palette while working on an HP Lovecraft painting in Payne’s Grey and white, so I fished a canvas scrap out of the wastebasket in our print room and sketched this scene. Painted mostly this past Spring then finished off yesterday.
Source: michaelwhelan.com
URISH’S BANE (1976) by Michael Whelan, cover for The Vanishing Tower by Michael Moorcock.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
ALEX (1977) by Michael Whelan cover for Dying for Tomorrow by Michael Moorcock
(via theartofmichaelwhelan)
Source: michaelwhelan.com
