FIRESTARTER (1980) by Michael Whelan, cover for the limited edition book by Stephen King published by Phantasia Press.
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FIRESTARTER (1980) by Michael Whelan, cover for the limited edition book by Stephen King published by Phantasia Press.
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Source: michaelwhelan.com
STEPPIN’ OUT (Danse Macabre) by Michael Whelan. Acrylic on illustration board - 9” x 6”
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Source: michaelwhelan.com
THE WHITE COMMANDS YOU by Michael Whelan, an interior illustration for The Dark Tower by Stephen King.
Oil on Panel - 28" x 18"
After Michael Whelan read the DARK TOWER VII manuscript and decided to illustrate this scene, he emailed Stephen King to tell him that he was taking artistic license and having Callahan stand on the table. The author not only gave his OK, but also changed the scene to fit the illustration.
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Source: michaelwhelan.com
GUNSLINGER: ETERNAL NIGHT by Michael Whelan, a concept from The Gunslinger by Stephen King
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THE DARK TOWER: THE END OF THE ROAD (2003) by Michael Whelan, the endpaper illustration from book 7 The Dark Tower by Stephen King.
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THE MIST BEYOND (2017) by Michael Whelan, the 11th installment in his 2017 LEFTOVERS & PALETTE GREMLINS gallery project.
Acrylic on Mat Board - 8" x 8"
I was listening to Frank Muller’s excellent reading of THE MIST when I saw one of the scenes in the marks on this palette board.
Source: michaelwhelan.com
THE GUNSLINGER FOLLOWED (2005) by Michael Whelan
Oil on Canvas - 25” x 40”
The Man in Black fled across the desert and the Gunslinger followed. The second half of the first line in the first book. The 2 characters couldn’t be in the same painting because it’s not until they are out of the desert that they come within sight of each other, so he split the sentence into 2 paintings. Michael has said that this is the closest to what he thinks Roland looks like - dogged, grim, with an indomitable sense of mission.
- 9/9/19 -
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Source: michaelwhelan.com
THE GUNSLINGER: THE MAN IN BLACK (2005)
Oil on Canvas - 25" x 40"
The Man in Black fled across the desert and the Gunslinger followed. Ever since Michael Whelan read that first line of the first book, he was waiting for the opportunity to paint it. The overcolored sky has a hallucinatory quality which is evocative of the dreamlike feeling of the story. (Michael also confessed that he wore a similar robe for much of the time he was painting this scene.)
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Source: michaelwhelan.com
THE DARK TOWER: THE LONG ROAD (2009) by Michael Whelan, an illustration from Knowing Darkness: Artists Inspired by Stephen King by George Beahm.
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GUNSLINGER: ON THE BEACH (1981) by Michael Whelan, illustration for The Gunslinger by Stephen King
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