THE DARK TOWER: CORNERED (2003) by Michael Whelan
Oil on Panel - 28” x 18”
The water and the drain in the floor, Jake’s left hand, the rope, the curl of Oy’s tail, and other elements in this interior illustration from THE DARK TOWER VII intentionally form the number 9 backwards and forwards.
Source: michaelwhelan.com
THE DARK TOWER: KA-TET (2003) by Michael Whelan
Oil on Panel - 28” x 18”
Throughout the Dark Tower series, Stephen King portrayed Roland’s group of fighters known as the Ka-Tet as a circle. Taking this as a cue, Michael built many circles into his composition and this became one of the author’s most favorite illustrations.
Source: michaelwhelan.com
TOWER CARD (2011) by Michael Whelan
THE DARK TOWER: THE ARTIST’S DOOR (2004) by Michael Whelan Interior illustration for THE DARK TOWER VII by Stephen King. Patrick the magical artist draws the door into existence. Note the 2 brushes on the doorknob.
Source: michaelwhelan.com
THE DARK TOWER: ALGUL SIENTO (2003) by Michael Whelan
Acrylic on Panel - 28” x 18”
From his first reading of the manuscript, Michael was drawn to this scene in THE DARK TOWER VII and he knew he had to paint it. Stephen King’s description of the quiet bond between Roland and Jake was particularly compelling, as it stood in stark contrast to the violence and mayhem that occur in other parts of the story.
Source: michaelwhelan.com
THE GUNSLINGER FOLLOWED (2005) by Michael Whelan
Oil on Canvas - 25” x 40”
The Man in Black fled across the desert and the Gunslinger followed. The second half of the first line in the first book. The 2 characters couldn’t be in the same painting because it’s not until they are out of the desert that they come within sight of each other, so he split the sentence into 2 paintings. Michael has said that this is the closest to what he thinks Roland looks like - dogged, grim, with an indomitable sense of mission.
Source: michaelwhelan.com
THE DARK TOWER: THE END OF THE ROAD (2003) by Michael Whelan, the endpaper illustration from book 7 The Dark Tower by Stephen King.
Source: michaelwhelan.com
THE GUNSLINGER FOLLOWED (2005) by Michael Whelan
Oil on Canvas - 25” x 40”
The Man in Black fled across the desert and the Gunslinger followed. The second half of the first line in the first book. The 2 characters couldn’t be in the same painting because it’s not until they are out of the desert that they come within sight of each other, so he split the sentence into 2 paintings. Michael has said that this is the closest to what he thinks Roland looks like - dogged, grim, with an indomitable sense of mission.
- 9/9/19 -
Source: michaelwhelan.com
THE GUNSLINGER: THE MAN IN BLACK (2005)
Oil on Canvas - 25" x 40"
The Man in Black fled across the desert and the Gunslinger followed. Ever since Michael Whelan read that first line of the first book, he was waiting for the opportunity to paint it. The overcolored sky has a hallucinatory quality which is evocative of the dreamlike feeling of the story. (Michael also confessed that he wore a similar robe for much of the time he was painting this scene.)
Source: michaelwhelan.com
THE DARK TOWER: THE LONG ROAD (2009) by Michael Whelan, an illustration from Knowing Darkness: Artists Inspired by Stephen King by George Beahm.
Source: michaelwhelan.com
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