SARRA and COLLAN by Michael Whelan, cover illustrations (front and back) for Exiles: Ruins of Ambrai by Melanie Rawn.
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SARRA and COLLAN by Michael Whelan, cover illustrations (front and back) for Exiles: Ruins of Ambrai by Melanie Rawn.
Source: michaelwhelan.com
MONEY (2010) by Michael Whelan
Acrylics on Watercolor Board
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EMPIRE’S HORIZON (1989) by Michael Whelan, cover for the book by John Brizzolara.
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ULTIMATE ENEMY (1979) by Michael Whelan, cover for the book by Fred Saberhagen
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EPHEMEROS (2002) by Michael Whelan
Oil on Canvas - 48” x 36”
Another meditation on Prudence.
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THE DARK TOWER: ALGUL SIENTO (2003) by Michael Whelan
Acrylic on Panel - 28” x 18”
From his first reading of the manuscript, Michael was drawn to this scene in THE DARK TOWER VII and he knew he had to paint it. Stephen King’s description of the quiet bond between Roland and Jake was particularly compelling, as it stood in stark contrast to the violence and mayhem that occur in other parts of the story.
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CLIMBER (1992) by Michael Whelan
Acrylic on Canvas - 42” X 31”
This is a precursor to my Lumen series. The way to the light is a long and arduous journey.
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GOLDEN DRAGON (1994) - figure study, color study, and final painting by Michael Whelan, the cover illustration for The Girl Who Heard Dragons by Anne McCaffrey
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FORTITUDE (1997) by Michael Whelan
Acrylic on Watercolor Board - 9” x 12”
I got to thinking of Edgar Rice Burroughs’ character John Carter of Mars….whenever it looked like the odds were hopeless and he had no options, his response was a defiant, “I still live!” As in all of the works in this series there are ammonite fossils, though this time they represent an island in turbulent seas. I know there is some symbolic significance as to why he is holding an uprooted tree, but I’ll be damned if I can remember what it is…
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DARKNESS OVER HAYHOLT (2016) by Michael Whelan (including a detail of Hjeldin’s Tower), cover for The Witchwood Crown by Tad Williams.
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