ULTIMATE ENEMY (1979) by Michael Whelan, cover for the book by Fred Saberhagen
Source: michaelwhelan.com
ULTIMATE ENEMY (1979) by Michael Whelan, cover for the book by Fred Saberhagen
Source: michaelwhelan.com
THE DARK TOWER: ALGUL SIENTO (2003) by Michael Whelan
Acrylic on Panel - 28” x 18”
From his first reading of the manuscript, Michael was drawn to this scene in THE DARK TOWER VII and he knew he had to paint it. Stephen King’s description of the quiet bond between Roland and Jake was particularly compelling, as it stood in stark contrast to the violence and mayhem that occur in other parts of the story.
Source: michaelwhelan.com
GOLDEN DRAGON (1994) - figure study, color study, and final painting by Michael Whelan, the cover illustration for The Girl Who Heard Dragons by Anne McCaffrey
Source: michaelwhelan.com
DARKNESS OVER HAYHOLT (2016) by Michael Whelan (including a detail of Hjeldin’s Tower), cover for The Witchwood Crown by Tad Williams.
THE GUNSLINGER FOLLOWED (2005) by Michael Whelan
Oil on Canvas - 25” x 40”
The Man in Black fled across the desert and the Gunslinger followed. The second half of the first line in the first book. The 2 characters couldn’t be in the same painting because it’s not until they are out of the desert that they come within sight of each other, so he split the sentence into 2 paintings. Michael has said that this is the closest to what he thinks Roland looks like - dogged, grim, with an indomitable sense of mission.
Source: michaelwhelan.com
THE NEW SPRINGTIME (1989) by Michael Whelan, cover for the book by Robert Silverberg.
Source: michaelwhelan.com
URISH’S BANE (1976) by Michael Whelan, cover for The Vanishing Tower by Michael Moorcock.
Source: michaelwhelan.com
FOUR DAY PLANET (1978) by Michael Whelan, cover for the book by H. Beam Piper
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FOREIGNER (1994) by Michael Whelan, cover for the book by C.J. Cherryh
STRONGHOLD (1990) by Michael Whelan, cover for the book by Melanie Rawn.
Source: michaelwhelan.com
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