SUSPENSION (2008) by Michael Whelan
A small oil study done as a warmup one morning, later finished off in some limited color as seen here.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
SUSPENSION (2008) by Michael Whelan
A small oil study done as a warmup one morning, later finished off in some limited color as seen here.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
Source: michaelwhelan.com
Source: michaelwhelan.com
GLIMPSE (1992) by Michael Whelan
Acrylic on Canvas - 48" x 36"
I think this is the first time I used the red glass heart as a symbol for the immediate and/or material possessions. While focused on the heart, she has turned her back to the light of Beauty and Hope behind the wall.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
Source: michaelwhelan.com
BEANSTALK (2001) by Michael Whelan
(via theartofmichaelwhelan)
Source: michaelwhelan.com
ASYLUM (2001) by Michael Whelan
(via theartofmichaelwhelan)
Source: michaelwhelan.com
WATCHTOWER (1999) by Michael Whelan
Acrylic on Panel - 28" x 22"
While the figure in the tower was watching her TV, the tide came in and then receded, taking her boat and ruining her ladder in the process. Now she’s stranded…
(via theartofmichaelwhelan)
Source: michaelwhelan.com
THE RIVER (1996) by Michael Whelan
Oil on Canvas - 48" x 36"
In contrast to GLIMPSE, the figure has her back to the red glass heart and she is contemplating life after death.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
Source: michaelwhelan.com
Top
All content © 2018 Michael R. Whelan unless otherwise stated. All rights reserved..