MICHAEL WHELAN

EMIGRE (2006) by Michael Whelan

Acrylic on Panel - 12" x 12"

A study done at the time I painted END OF NATURE VII, later finished to become a new small painting in its own right. If only she indulged in a little self-examination, she would know that she carries the means to a new beginning on her own shoulders.

(via theartofmichaelwhelan)

EROSION (1999) by Michael Whelan

Acrylic on Panel - 32" x 40"

The fourth of my End of Nature paintings. The figure is stranded on a pillar of human folly, looking up to a symbol of technology (the lamppost) for her deliverance from the perils signaled by the oncoming storm. Will Science light the way to the future?

(via theartofmichaelwhelan)

BEANSTALK (2001) by Michael Whelan

(via theartofmichaelwhelan)

EMIGRE (2006) by Michael Whelan

Acrylic on Panel - 12" x 12"

A study done at the time I painted END OF NATURE VII, later finished to become a new small painting in its own right. If only she indulged in a little self-examination, she would know that she carries the means to a new beginning on her own shoulders.

(via theartofmichaelwhelan)

EROSION (1999) by Michael Whelan - Acrylic on Panel - 32" x 40"

The fourth of my End of Nature paintings. The figure is stranded on a pillar of human folly, looking up to a symbol of technology (the lamppost) for her deliverance from the perils signaled by the oncoming storm. Will Science light the way to the future?

(via theartofmichaelwhelan)