Source: michaelwhelan.com
EROSION (1999) by Michael Whelan with figure detail
Acrylic on Panel - 32” x 40”
(via theartofmichaelwhelan)
Source: michaelwhelan.com
EDGEDANCER (2002) with detail by Michael Whelan
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Source: michaelwhelan.com
THE END OF NATURE VII (2005) by Michael Whelan
Acrylic on Panel - 25” x 40”
Up until this point in my End of Nature series, I had portrayed the people (who represent humanity in general) as somewhat oblivious to the support that nature was providing for them. When I began this painting I thought of the figure as a person mislead by folly, wasting energy with a gasoline-powered kite. Later, however, I realized that one could read that she is, through a playful exploration of technology, finding the means for her deliverance.
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Source: michaelwhelan.com
THE END OF NATURE V (2000) by Michael Whelan
Acrylic on Canvas - 36" x 24"
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Source: michaelwhelan.com
EMIGRE (2006) by Michael Whelan
Acrylic on Panel - 12" x 12"
A study done at the time I painted END OF NATURE VII, later finished to become a new small painting in its own right. If only she indulged in a little self-examination, she would know that she carries the means to a new beginning on her own shoulders.
(via theartofmichaelwhelan)
Source: michaelwhelan.com
EROSION (1999) by Michael Whelan - Acrylic on Panel - 32" x 40"
The fourth of my End of Nature paintings. The figure is stranded on a pillar of human folly, looking up to a symbol of technology (the lamppost) for her deliverance from the perils signaled by the oncoming storm. Will Science light the way to the future?
(via theartofmichaelwhelan)
Source: michaelwhelan.com
BEANSTALK (2001) by Michael Whelan
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Source: michaelwhelan.com
THE END OF NATURE (1998) by Michael Whelan with figure detail. Acrylic on Gessoboard - 28” x 22”THE END OF NATURE (1998) by Michael Whelan with figure detail.
Acrylic on Gessoboard - 28” x 22”
(via theartofmichaelwhelan)
Source: michaelwhelan.com
EROSION (1999) by Michael Whelan with figure detail
Acrylic on Panel - 32” x 40”
(via theartofmichaelwhelan)
Source: michaelwhelan.com










